marionette

It’s World Puppetry Day today, which is organised by the Union Internationale de la Marionnette (UNIMA). So that’s why I’ve chosen ‘marionette’ as this week’s WOTW (as no one calls it).

A marionette is a puppet controlled from above using wires or strings (so other types of puppets like ventriloquists’ dummies or Sooty aren’t marionettes – except in France, where it refers to any type of puppet). As you can probably guess from the spelling, the word ‘marionette’ comes from French. For some reason we lost an ‘n’ when it came into English, as the OG French term was ‘marionnette’. That comes from an Old French word, ‘marion’, which means ‘little Mary’. This is likely because the earliest marionettes were used to depict biblical events, in which the Virgin Mary was a big star.

How much is that scary puppet in the window?

Puppetry has been around for bloody ages, and some historians claim they actually predate actors in the theatre. In fact, there’s evidence of string operated puppets as far back as 2000 BC in Egypt. But who cares about that when we can talk about HAUNTED PUPPETS?

In 2015 paranormal investigator Jayne Harris filmed a supposedly haunted puppet every night for three months using a timed night vision camera. She was called in after its previous owner, who inherited it from his late father, claimed it tried to CHOKE HIM TO DEATH in the middle of the night. You can read more and see the (slightly underwhelming) video footage in this article.

If that doesn’t convince you, what about Mr Fritz, a disembodied ventriloquist doll’s head, which was caught on camera BLINKING in the middle of the night. Mr Fritz was made by a prisoner at the World War II Stalag II-B concentration camp. His new owner noticed that the door to the case the head was stored in kept opening over night, so he set up a camera to see what was going on. You can see the footage of the blinks in this article (my apologies that it’s from the Daily Mail). HIS LIPS BLOODY MOVE TOO.

Sleep well tonight…

tragedy

You know what a tragedy is – a sad or traumatic event. It’s also a genre of literature, art or performance that deals with serious and sad themes, and probably everyone dies at the end.

The word ‘tragedy’ has a bit of a tragic backstory as well. Brace yourselves…

(It’s not that bad really. I’m just building the tension.)

Don’t mention Greek plays

‘Tragedy’ comes from the Greek word ‘tragōidia’, which is a combination of ‘tragos’, meaning ‘goat’, and ‘ōidē’, meaning ‘song’ or ‘ode’. This is linked to ancient Greece (although you probably could have guessed that), where tragic plays were an important part of cultural and religious festivals. These plays often dealt with serious and weighty themes, and were accompanied by a chorus of people who sang and danced (seriously and weightily, presumably).

So that gives us the song/ode bit – but what about the goat? Well, those ancient Greekies often sacrificed a goat or two during these performances to honour the god Dionysus, who was associated with theatre (also, wine and fertility). I hope they waited till the interval so they didn’t put the actors off.

That was all a bit depressing, wasn’t it? Sorry about that. Here’s some Steps to cheer you up. Good luck not doing the dance.

slapstick

Personally, I’m not a fan of slapstick comedy. That whole brand of wackiness just doesn’t really do it for me. But, I have always wondered why it’s called that. Thank god for the internet.

Harlequin – that’s a natty outfit

To find the answer, we have to travel to 16th-century Italy, and the commedia dell’arte (which literally translates as ‘comedy of the profession’ – sounds hilarious, right?), an early form of improvised bawdy theatre performed by a troupe of professional actors, often in marketplaces and town squares. Commedia dell’arte uses stock characters, or ‘masks’, each of which always wear the same costumes and make-up, and use the same physical gestures. The most recognisable of these to you and me is probably Harlequin (also known as the scheming servant Arlecchino), who was accompanied by Scaramouche (still don’t know if he can do the fandango), Pierrot (a sad clown), and star-crossed lovers Isabella and Flavio (who I think are on Strictly Come Dancing), among others. The plays themselves were largely improvised, with the actors using their knowledge of these stock characters and their relationships with each another to create comedic situations and dialogue.

There was often lots of physical comedy in the commedia dell’arte, which is where our slapstick comes in. Actors used a club-like object made of two pieces of wood to produce a loud smacking noise. Originally called a ‘batacchio’ or ‘bataccio’, the Italian word for a knocker on a door, the English gave it the rather more obvious name of ‘slapstick’. Due to the fact that you could hit people with it very gently and still make a loud comedy noise that sounds like you’ve proper walloped them, it was actually one of the earliest theatrical special effects. It wasn’t long before the slapstick became a symbol of any type of highly physical comedy, and the word was then used to refer to that type of comedy itself.

The OG slapstick (still looks quite painful to me)

While you aren’t likely to see anyone perfoming commedia dell’arte in your local market square these days, it’s had a significant influence on the development of modern theatre. Lots of the stock characters and comedic situations continue to be adapted and reused in TV, film and literature. Most recently Steve Pemberton and Reece Shearsmith used it in the Inside No. 9 episode ‘Wuthering Heist’ (with added Tarantino).

Slapsticks themselves aren’t all that common anymore either, except in (super-sinister) Punch and Judy shows – the thing Punch uses to hit everyone (including some casual wife-beating) is a slapstick. And percussionists use them to imitate the sound of slaps, whip cracks, gunshots and so on, too.