weird

I had to doublecheck this hasn’t featured as a word of the week before, as it’s a really common adjective (describing word) with an interesting backstory. Amazingly, it hasn’t, so hang on to your (witch’s) hats…

You know what ‘weird’ means. And it turns out people have been being weird for a bloody long time – it first appeared in the 700s as the Old English noun, ‘wyrd’. The word ‘noun’ is the important thing here (a noun being a person, place or thing). Rather than using ‘wyrd’ to describe someone or something like we do today, you’d talk about ‘their wyrd’, meaning the path their life would take: what lay ahead of them and how that might unfold. That’s because at this point it meant ‘fate’ or ‘destiny’. So you could say ‘Her wyrd was to carry on coming up with words of the week’.

Fast forward a few centuries to the 1100s, and the English language was changing fast. For a start, we were all ooh-la-laaing a lot more after the Norman Conquest. And as monastic scribes who were familiar with our Old English spelling system died, the French-trained ones who replaced them didn’t know what to do with all our wyrd spellings. So they started writing them the way they sounded (gasp! Although clearly that didn’t stick). That’s when ‘wyrd’ began to shift. Because it was pronounced with a long ‘ee’ sound, people started spelling it as ‘werd’, ‘weyrd’ and, finally, ‘weird’. At the same time, the noun version was slowly disappearing from everyday speech, and being replaced with an adjective that meant something like ‘linked to fate’.

In the 1600s, our old friend Shakespeare locked in the new spelling and adjectival use when he called the witches in ‘Macbeth’ ‘the weird sisters’. That still didn’t mean odd at this point though – he was using it with its old meaning of ‘tied to destiny’. But because the witches’ scenes were eerie and unsettling, and full of toil and trouble and thumb pricking, the word picked up that mood. Over the next couple of centuries, it shifted from ‘fate-related’ to ‘supernatural’, and then to the softer, everyday sense of ‘strange’ or ‘unusual’ that we use now.

Warning: contains someone puking up a baby’s finger. Shakespeare is WILD.

winnow

If you’re one of the many (including me) people who’ve read the adult fairy-tale series (and by ‘adult fairy-tale’ I mean dirty, dirty soft porn) ‘A Court of Thorns and Roses’ by Sarah J Maas, you’ll be very familiar with the verb ‘to winnow’. It’s not filthy, sorry. In the books, winnowing is the ability to transport yourself to a different location using magic. Only some of the Fae in the series can do it, as it takes lots of concentration and strength.

Winnow is a real word, although it doesn’t have anything to do with teleportation. If one of us non-Fae folk winnows, it’s much more mundane, I’m afraid – it means we’re separating grain from chaff using a current of air. That’s a fancy way of saying that you chuck it in the air and let the wind do the hard work, blowing away the lighter chaff while the heavier grain falls back down.

Figuratively, ‘winnow’ can also mean to separate the valuable or desirable part of something from the crap bit, or to sift through and choose stuff that’s useful or valuable. So it’s basically a much quicker way of saying ‘separate the wheat from the chaff’.

‘Winnow’ has its origins in Old English and Old High German. The Old English verb ‘windwian’ meant ‘to fan’ or ‘to blow’. That’s related to the Old High German word ‘winnan’, which means the same. And that word has roots in Proto-Germanic and ultimately derives from the Proto-Indo-European root *wē- or *weh- which means ‘to blow, to move air’. So it’s actually a pretty good verb for a fictional process that involves moving yourself through the air really fast.

PS I realise I sounded a bit snobby when I referred to ACOTAR as ‘dirty, dirty soft porn’. I didn’t mean to – I actually really enjoyed all of them, and leant them to both my mum and my sister (is that weird?). I’m not alone either. The series has sold over 13 million copies, is a New York Times bestseller and has been optioned for a TV series adaptation. (They are super filthy though – especially ‘A Court of Silver Flames’. So if you decide to read them, don’t say I didn’t warn you.)

Apparently this is a ‘book trailer’. I didn’t know this is a thing, but I’m here for it.

milquetoast

A milquetoast is a person who’s meek or timid, lacks character or is ineffective. A wimp or a wuss, if you will. I first heard this term in the PS4 game ‘Bloodborne’ where it’s one of the starting classes. If you’re not a gamer then you might not have come across it, although I did also hear it in ‘American Horror Story’ (‘Delicate’, in case you’re wondering) the other day.

Apparently the term is much more common in American English than it is over here. That’s probably because ‘milquetoast’ comes from an American comic strip called ‘The Timid Soul’, which was published in 1924. Created by American cartoonist Harold Tucker (HT) Webster, the comic strip featured a character called Caspar Milquetoast, who was himself named after the American dish milk toast, which is, you’ve guessed it, toasted bread in warm milk. Why America, why?

Webster described Caspar Milquetoast as ‘the man who speaks softly and gets hit with a big stick’. Aw. He’s named after milk toast because it’s light and easy to digest, and good for people with weak stomachs. Caspar was featured in books, films, radio programmes and vaudeville acts, and, according to a 1945 article in ‘Time’ magazine, was as famous as Tom Sawyer, and even more so than Don Quixote. Wow.

HT Webster drew more that 16,000 single panel cartoons in his lifetime. In 1927 a severe case of arthritis meant he could no longer draw with his right hand – so he taught himself to do that with his left, and his career carried on for another 25 years after that. I can’t even paint the nails on my right hand without making a hash of it, so kudos to Mr Webster.

(Credit: H. T. Webster, public domain, via Wikimedia Commons)